Cinema & Film News

7 Reasons You’re Irrationally Clinging to Your DVD Collection

The Film Talk - Tue, 07/27/2010 - 17:24

Is this really something to be proud of?

Over the past year, I’ve been gradually selling off my dvd collection on Ebay. Last Sunday, I listed the final stragglers. Once the auctions are paid for and shipped, I will be, in effect, dvd-less for the first time in 10 years.

And that fills me with a mixture of loss and freedom. A dvd collection is like an extension of one’s soul, a filmic phenotype of plastic, cardboard, and silicone. I had built up an impressive collection of oeuvres: the near complete works of Bresson, Kurosawa, Rohmer, and more — delicacies hard fought and won through online dvd stores, brick and mortars, and internet auction sites — items from every region code, PAL and NTSC — editions rare and out of print — artifacts enshrined in special collector’s tins, lunchboxes, and vacuum molded plastic. Many were linked with an emotion or the time in my life when I purchased them. And while I made sure to “back up” all of the dvds on hard drives anticipating a future home media computer (I’m not a fool), I felt like I lost a little bit of myself with every auction listed.

And then I smacked myself out of that sentimental fantasy world.

When you make a dvd purchase, you think you’re refining your collection, gaining grounds on a better definition of you. But in reality, you are slowly encasing yourself in a cocoon of junk. DVDs become closet-fillers, bookcase-hoggers, table decoration, and step-around stacks.

“But not me!” you say. “My collection gives me meaning and value.”

Bullshit.

Here are 7 reasons you’re irrationally clinging to your DVD collection:

1. I only buy films I watch on a regular basis.

That’s how it always begins. But as your collection increases, the time to watch decreases. With a steady stream of incoming Netlflix rentals, instant ques, Xbox live, video-on-demand, Tivo, Hulu, and torrents; the items you own always drop down a peg on your to-do list. You own them after all; you can watch them anytime.

You are an evolved animal, replete with cognitive biases. Your well-meaning buying strategy gets exploited by the dopamine rush of the hunt.  “It makes economic sense for me to purchase this.” “Owning this product will give my life meaning and value.” But really, they’re all just excuses. The reality is it’s fun to shop. Even if you DO watch most of your collection at least once a year (which you DON’T), economically, it just doesn’t add up. You’ll still save money by renting instead of buying.

2. I like being able to pull any title on a whim and watch.

A few years ago, this argument made sense. If you wanted to watch something not in your collection, you had to go out and rent it or wait for your Netflix to arrive in the mail. But with the advent of instant streaming, you can watch titles you don’t own on a whim. And while the streaming selection is far from complete and the quality isn’t yet on par, both are increasing everyday. Digital songs killed CDs. Xbox Live, the Wi Virtual Store, Valve’s Steam, and the Playstation Network will one day kill physical video games. Kindle and iPad are already taking a chunk out of physical book sales. This is something you can champion or lament, but it is happening. The cold hard fact is that physical media is dying, and the sooner you make peace with that, the sooner you will regain your guest bedroom.

3. I’m waiting for the values to rise.

. . . because that worked SO well with CDs. With very few exceptions, DVDs will never increase in price above their retail value. Most will in fact plummet; and the longer you hold onto them, the less they will be worth. With instant streaming gaining more ground, prices are dropping even more rapidly. When you hold out for a higher worth, you are like the loss averse investor who irrationally clings to a withering stock in hopes that it will regain its value. Forget about recouping your dvd investment. But you will earn more overall by selling today than you will by selling in a year.

4. I can’t stop until I’ve collected the entire series.

“Just one more Warner Film Noir box set!” Maybe you’ve spent years collecting a particular director or series, and you can’t let all your hard work, dollars, and emotional investment go to waste. Besides, your collection would look silly without the 6th and final season of Lost sitting beside the first 5. But there’s another way: sell now and cut your losses. Humans are wired against cognitive dissonance — instead of correcting a past error and admitting we were wrong, we’ll continue making the error. Some wars should be pulled out of, and some Dr. Who collections should be dismantled.

5. I like the texture, smell, and tangibility of the physical medium.

This is the one plausible argument in the list. No matter how great the quality of digital media, we can’t touch a kilobyte, can’t thumb the pages of an e-booklet. I believe the resurgence of vinyl records is due more to the tangibility of the medium than any perceived difference in quality. But we have to weigh the benefits of each medium, and digital media has many compelling advantages. For one, digital frees us from the anchors of space-hogs. It’s nice to be able to walk into a clean room without having to brush past stacks of CDs, records, and DVDs; nice to be able to move to a new house without reserving an entire U-Haul for your preciouses. The accumulation of things can weigh you down. Shedding excess junk will set you free and help divert focus to the few items that are actually worth cherishing. And in an increasingly overpopulated world, your physical footprint may mean everything.

6.  My DVDs are who I am.

Oh please. Wait until you’re over 30 and then get back with me on that.

7. I keep my DVDs for the sentimental value.

As humans, we tend to see in ordinary objects almost-supernatural underpinnings. This happens when covet an autograph or a golden age comic book. In his book The Science of Superstition, Bruce Hood calls this our SuperSense; and we evolved it to help make sense of a world we couldn’t fully understand. It rained after we danced the Watusi, so we imbue the Watusi with the essence of rainmaking. Similarly, we attribute a sacred quality to the objects we collect. DVDs are more than just paper, plastic, and silicone. Perhaps by owning a physical copy of our favorite film, we feel an intimate connection with the filmmakers or that we can better absorb the film’s meaning. I would argue this is an urge we must curtail. Many a family has been broken up because of a collector’s obsession. I’m not advocating selling all of your worldly possessions or decoupling the sacredness from the objects you most covet (because, let’s admit it: it’s fun); just be aware of what you’re doing and recognize when your brain is talking you into a bad buying decision.

Sometimes we forget why we began buying DVDs in the first place: our love of movies. NOT gimmicky cases, limited pressings, or collectible booklets. And today, we have at our fingertips access to more films than ever before. And THAT is what we should be embrace. Don’t let your collection obfuscate the pleasure of watching a great film. Casablanca can hold a special place in your heart whether you own the Ultimate Edition or not.

8. I AM getting rid of my DVDs . . . to replace them with blu-ray!

Ummm. . .

Tony Youngblood is the current Foursquare Mayor of the Belcourt Theatre, a film and music snob, and producer of the experimental improv music blog and podcast Theatre Intangible. His favorite films include Eric Rohmer’s The Green Ray, Abbass Kiarostami’s The Wind Will Carry Us, Ingmar Bergman’s The Magician, Lee Chang Dong’s Oasis, and Rob Reiner’s This Is Spinal Tap. The irony of listing his favorite films to describe himself after writing the above article is not lost on him.

Categories: Cinema & Film News

Peter Eramo Reviews: The Girl Who Played With Fire (** ½)

Magic Lantern Film Blog - Mon, 07/26/2010 - 17:26
Sequels are a tough breed — and a bit of a bitch to get right. Recent history has shown that it is the rare film indeed that can stand up to its predecessor, let alone best it. Let me start by saying that I thought that Niels Arden Oplev’s The Girl With the Dragon Tattoo (released earlier [...]
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Review: 'Salt' is action cinema the 90's way

Orlando Movie Examiner - Sun, 07/25/2010 - 17:25
Ultimately, Salt comes across as a big budget TV pilot. I wouldn't be surprised to see the character of Evelyn Salt globe trotting around the world and taking on all sorts of undercover missions, and helping the occasional indigenous village, while on her quest to seek her ultimate revenge against shadowy evil-doers, all with the help of her inside-the-government contact that gets her needed information throughout her journeys.That might or might not be the inevitable Salt television series, or even the next couple of low-budget sequels (depending on profitability, of course), but this...
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Review: 'Salt' is action cinema the 90's way

Orlando Movie Examiner - Sun, 07/25/2010 - 15:25
Courtest of www.NCM.comUltimately, Salt comes across as a big budget TV pilot. I wouldn't be surprised to see the character of Evelyn Salt globe trotting around the world and taking on all sorts of undercover missions, and helping the occasional...
Categories: Cinema & Film News

Review: 'Salt' is action cinema the 90's way

Orlando Movie Examiner - Sun, 07/25/2010 - 15:25
Courtest of www.NCM.comUltimately, Salt comes across as a big budget TV pilot. I wouldn't be surprised to see the character of Evelyn Salt globe trotting around the world and taking on all sorts of undercover missions, and helping the occasional...
Categories: Cinema & Film News

Lily the Pug Turns 10! Her Top 5 Movie Dogs!

Magic Lantern Film Blog - Sun, 07/25/2010 - 10:10
For those movie lovers familiar with this site, you may have come across the Lily the Pug page at the top of the homepage. When I first began writing this blog 7 months ago, I immediately proclaimed Lily to be the honorary mascot of the Magic Lantern Film Blog. Yes, the pug you see here is my [...]
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The best and worst book-to-film adaptations: 7 - There Will Be Blood

Orlando Movie Examiner - Sat, 07/24/2010 - 20:05
There Will be Blood (written and directed by Paul Thomas Anderson, chosen as an Examiner Essential)is an epic film about Daniel Plainview, silver miner turned oil man. The story revolves around Plainview and his relationship with the world around him, made complicated by the fact that he needs other men to accomplish his goals, despite his growing distaste for his fellow man. He feels he can only rely on family, and even then, things get screwy. Oil! (written by Upton Sinclair, himself chosen as a Pulitzer Prizer winner) is an epic novel about J. Arnold Ross, mule driver turned oil man. The...
Categories: Cinema & Film News

The best and worst book-to-film adaptations: 7 - There Will Be Blood

Orlando Movie Examiner - Sat, 07/24/2010 - 18:05
Courtesy of Paramount Vantage There Will be Blood (written and directed by Paul Thomas Anderson, chosen as an Examiner Essential)is an epic film about Daniel Plainview, silver miner turned oil man. The story revolves around Plainview and his relation...
Categories: Cinema & Film News

The best and worst book-to-film adaptations: 7 - There Will Be Blood

Orlando Movie Examiner - Sat, 07/24/2010 - 18:05
Courtesy of Paramount Vantage There Will be Blood (written and directed by Paul Thomas Anderson, chosen as an Examiner Essential)is an epic film about Daniel Plainview, silver miner turned oil man. The story revolves around Plainview and his relation...
Categories: Cinema & Film News

Gimme 5: Seriously Shitty Sequels!

Magic Lantern Film Blog - Fri, 07/23/2010 - 08:17
I just posted a list of 10 movies to look forward to over the last few months of this year and included in this list is Oliver Stone’s Wall Street 2: Money Never Sleeps. This is of course, a sequel to the original that was released 23 years ago. I’m not a fan of sequels, [...]
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DVD review: Discover 'Mary and Max' for yourself

Orlando Movie Examiner - Thu, 07/22/2010 - 22:54
Starting with the 2009 Sundance Film Festival, Mary and Max has gone around the world, winning awards at various film fests and charming every one it comes in contact with. Of course, after all the hoopla and critical acclaim around the globe, Mary and Max received a very low-key direct-to-video release here in Amur-icah, where it sits in anonymity, waiting to be discovered one viewer at a time. I'm here to tell you to go out and freakin' discover this film for yourself. It is a claymation film from Australia, and its not for kids, despite the cutesy premise and animated aesthetic. It...
Categories: Cinema & Film News

DVD review: Discover 'Mary and Max' for yourself

Orlando Movie Examiner - Thu, 07/22/2010 - 20:54
Courtesy of Icon Film Starting with the 2009 Sundance Film Festival, Mary and Max has gone around the world, winning awards at various film fests and charming every one it comes in contact with. Of course, after all the hoopla and critical acclaim a...
Categories: Cinema & Film News

Mercy / ** (Unrated)

Roger Ebert - Wed, 07/21/2010 - 23:26
"Mercy" (Unrated, 87 minutes). Scott Caan plays a pickup artist who meets a woman (Wendy Glenn) who isn't impressed by his new novel--or by him. He goes through a predictable arc of change, but the performances (also by James Caan as his father) are involving. Tries to cover too much ground in the running time. Two stars
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85% Inception

Certified Fresh Top Movie Pick - Wed, 07/21/2010 - 21:05
Categories: Cinema & Film News

Agora / *** (Unrated)

Roger Ebert - Wed, 07/21/2010 - 20:39
"Agora" (Unrated, 141 minutes). Not your average sword and sandal epic. The study of Hypatia (Rachel Weisz), a scientific genius in the fourth century A.D., who taught with her father in the Library of Alexandria, which hoped to collect all the world's knowledge. She is so absorbed by her ideas that she fails to foresee the rising tension between pagans and Christians, which ends with Christians destroying the library. Hypatia was a real person. Weisz and director Alejandro Amenabar show her as an idealist not wary enough of real-world passions. Three stars
Categories: Cinema & Film News

10 Movies To Get Excited About for the 2nd Half of 2010!

Magic Lantern Film Blog - Wed, 07/21/2010 - 19:16
So we are well past the halfway point of 2010, and I can say with all sincerity that I have sadly seen only one truly great movie so far. By leaps and bounds, Niels Arden Oplev’s The Girl With the Dragon Tattoo stands, in my opinion, as the best film of the year thus far [...]
Categories: Cinema & Film News

TFT 137 – INCEPTION / WINTER’S BONE

The Film Talk - Wed, 07/21/2010 - 17:48

TFT 137 running time: 54 minutes 06 seconds – 26.1mb mp3

INCEPTION starts at 1 minutes 35 seconds

WINTER’S BONE starts at 39:48

- – -

HELP JETT FIND WORK IN LA – CLICK HERE FOR HIS RESUME

Categories: Cinema & Film News

Great Movie: Mystery Train (1989)

Roger Ebert - Wed, 07/21/2010 - 15:12
At nights in the summertime I heard lonesome whistles blowing, and dreamed of taking the train to the future. To romance. To the rest of my life. Or just simply out of town. Trains embody the fact of travel, the sense of moving through time and space and day and night. Airplanes are elevators whose doors close and then open in another city. The two Japanese kids in Jim Jarmusch's "Mystery Train" (1989) have the right idea. They're on a train to Memphis. With one suitcase suspended on a pole between them, they wander the bedraggled streets until passing by accident the door of the Sun record studios, which is a shrine for them.
Categories: Cinema & Film News

Ramona and Beezus / *** (G)

Roger Ebert - Wed, 07/21/2010 - 13:05
“Ramona & Beezus” (G, 103 minutes). A sweet comedy inspired by the much-loved novels by Beverly Cleary. Joey King sparkles as the innocent-looking 9-year-old trouble-magnet Ramona, and Disney star Selena Gomez plays her teenage sister. Ramona gets into dire situations in everyday life, and James Bondian predicaments in her daydreams. A featherweight comedy of no great consequence, except undoubtedly to kids about Ramona's age. Three stars
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Salt / **** (PG-13)

Roger Ebert - Wed, 07/21/2010 - 00:11
"Salt" (PG-13, 100 minutes). A damn fine thriller. It does all the things I can't stand in bad movies, and does them in a good one. Angelina Jolie stars as a CISA agent fighting ingle-handedly to save the world from nuclear destruction. Hardly a second is believable, but so what? Superbly crafted, it's a splendid example of a genre action picture. Directed by Philip Noyce. Four stars
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