Movie Reviews

The Congress
Published by on Thursday, October 9, 2014 - 5:00am | 0 Comments

Equally clever and weird, The Congress examines the century-old fight for artistic autonomy by exploring the consumption of the celebrity through a contrarian message of hope in the film industry. Using both live-action footage and a plethora of animation styles, The Congress is bound to make an impact while joining the growing list of Hollywood satires.

The Giver
Published by on Tuesday, October 7, 2014 - 5:00am | 0 Comments

For many middle-schoolers, The Giver was the first opportunity for readers to get a taste of Plato’s Allegory of the Cave and a bad taste for the ills of orthodoxy. The novel portrayed the travails of communist rhetoric about fairness and conformity with just a touch of magical realism.

The One I Love
Published by on Friday, October 3, 2014 - 5:47pm | 0 Comments

The One I Love is not like the other romantic comedies you may have seen. That’s because romance is overshadowed by the creepiness and whimsy of what could have been a simple Twilight Zone episode. In what might be one of the most original films of the year, The One I Love is relentless in its twists and compelling with its challenging plot.

God Forgive Us
Published by on Monday, September 29, 2014 - 5:00am | 0 Comments

God Forgive Us, Michael Bachochin’s new feature film, was originally shot as a short in November of 2013. Acting on the positive audience feedback, writer-director Bachochin and the film’s producers expanded the story into this high-quality feature. Audiences will be grateful they did.

Guardians of the Galaxy
Published by on Thursday, August 21, 2014 - 9:00am | 0 Comments

Guardians of the Galaxy is among the many lesser-known Marvel properties and now it too has its own film adaptation. Since the series exists somewhat outside the Avengers and Spider-man franchises, this new world offers a fresh canvas compared to the tired superhero action genre, but the tricks and wonder are all the same.

Starvecrow
Published by on Thursday, August 21, 2014 - 9:00am | 0 Comments

Self-professed voyeur, Ben, captures his life on camera, as do all his friends. He admits he’s hacked into his friend’s videos and even CCTV systems and cobbles together a series of fragmented vignettes portraying the demons he and his friends harbor. Ben also visits a therapist who objects to Ben filming their session, however, but he does it anyway. It becomes clear that Ben, and perhaps even his friends, want to be the stars of their own films.

Boyhood
Published by on Monday, August 18, 2014 - 1:14pm | 0 Comments

Series of films portraying a single character’s life during different time periods is nothing new to cinema. Richard Linklater’s Boyhood, however, crafts a singular narrative about a young boy from kindergarten to his first weekend in college, and was produced for just a handful of days each year for twelve years. This production method required faith in the crew and a disciplined approach to keep the project alive, a concept that is truly visible in the film’s storyline.

The Conspiracy
Published by on Thursday, August 14, 2014 - 12:06am | 0 Comments

The shouting matches and the vociferous activism of conspiracy theorists tend to fall on deaf ears. It’s not that they are wrong; it’s that their ideas and links are so far-fetched or conflicting that they themselves appear legitimately crazy.

Published by on Tuesday, August 12, 2014 - 9:00am | 0 Comments

Spy thrillers are bound to become more complex with the NSA leaks uncovering a massive global surveillance system, and A Most Wanted Man is perhaps the first film to take a crack at it. Adapted from John le Carré’s eponymous novel, A Most Wanted Man extends the spy genre enough so that it’s original, but not to the point where it’s unrecognizable.

Dawn of the Planet of the Apes
Published by on Monday, August 11, 2014 - 6:00am | 0 Comments

Rise of the Planet of the Apes overcame the typical problems of reboots, and Dawn of the Planet of the Apes also does not fall into the traps so many sequels fall victim to, like being rushed to production and over-anticipated. Instead the film stands on its own, not having to rely reasserting the world or any of the timelines created in Planet of the Apes.

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