Cloud Atlas

Cloud Atlas

What could have been a messy attempt to tell a complex story, Directors Andy & Lana Wachsoki and Tom Tykwer have properly maintained the central themes and motifs across disparate characters and timelines with love and compassion. Adapted from the eponymous novel from David Mitchell, Cloud Atlas is a post-modern ode to the most seminal science fiction narratives and while navigating through the past, present, and future of the excess and abuse of totalitarianism, regardless of whether it is politically or economically motivated.

The Death of New York?

Years ago it was told to me by one of my Film Studies lecturers that due to the immense demand for screenwriters in the days of early Hollywood a lot of the New York playwrights of the east coast were lured westwards in order to write for the big studios.  This upheaval inspired a justifiable nostalgia for home in the writers and led them to represent their beloved Big Apple as romantically and as favorably as they could get away with.  This tradition has existed throughout the 20th century but during the cynical, harsh-capitalism of the ‘90s and beyond, the myth seemed to get i

The Place Beyond the Pines

The Place Beyond the Pines

Predestination may force certain individuals to chase their supposed privileges or reject them entirely. In The Place Beyond the Pines, we see the catalysts and the outcomes of these polarities test the role of revenge on an intimate family feud. This melodramatic thriller is told in three parts, from the perspectives of two men and their genetic legacies. The film’s high-brow concept is only barely cohesive, struggling under the weight of its attempt to be a sprawling dramatic epic, but retains a sense of suspense while pursuing this character study.

Broken

Broken

Skunk (Eloise Laurence) is a young girl with Type 1 Diabetes who begins to decorate an abandoned domestic trailer with her older brother Jed (Bill Milner), a place they can escape to when necessary. They live with their father Archie (Tim Roth) and an au-pair, Kasia (Zana Marjanovic), in a British cul-de-sac shared with two other families. There are the Oswalds, whose patriarch is a widower struggling to raise his three crude and promiscuous daughters. Then there is Rick (Robert Emms), a young man with some mental illness, who admires Skunk’s friendliness, and lives with his family.

Episode 1 - Rob Khuns and Andrew Mudge

In the inaugural episode of the CinemaFunk Podcast I interviewed Rob Khuns, the director of Year of the Living Dead and Andrew Mudge, the director of The Forgotten Kingdom

Show Notes

Influences

As stated in the episode, the podcast was influenced by several other podcasts which I've collected below:

The Hunt

The Hunt

The innocence of children extends to their truthful interpretation of the world. I particularly remember times when I was a child where I would say things that were accurate but faux pas in terms of conventional manners. Moments such as these are looked at as humorous because children really do not know any better. In The Hunt, we see how a young child’s interpretation of her surroundings clashes with her and another adult’s innocence.

Bad Brains: A Band in DC

Bad Brains: A Band in DC

Punk music evolved around political distrust in the UK and the US, as well as a blatant reaction to art and progressive rock, and was typically performed by white men with a resolve to destroy instruments and ear drums. When four black men formed Bad Brains in D.C. in the late 1970s, they absorbed that destructive style and fused it with positive messages, complex rhythms that put their contemporaries to shame, and a stage presence that was as dynamic as their music. The band would prove themselves to be more than a novelty, but forge a path making them a heavy influence on the funk metal that proliferated in the late 1980s and into the 1990s.

To the Wonder

To the Wonder

We often forget that the spoken word is not the only language of communication. There is body language and other visual cues that help us communicate, and Terrance Malick’s new film To the Wonder is very much a story told with such emphasis on the visual language. Malick has developed his style over many decades, and this effort relies so heavily on intense visuals, many of the most literate audience members will still have trouble finding a tangible connection to it.

Starbuck

Starbuck

Films such as Knocked Up, Made in America, or The Change-Up have explored the role of unexpected fatherhood, but Starbuck considers the consequences of becoming a father many times over and the right to privacy. With a wildly appropriate title, Starbuck, denotes the incredible amount of offspring as if there was one on each corner, like a multi-national coffee shop brand.

Mud

Mud

When we think of Mark Twain we think of humor and picaresque journeys around the American landscape. For Mud, we are given a modern Twainesque tale set in an Arkansas river town where young teenagers see the complexities of love and crime first hand.

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